Computer

VIDEOSCHNITT

APPLE MAC PRO 3.2 GHz 16-Core Intel Xeon W, 96 GB 2933 MHz DDR4 RAM, AMD Radeon Pro Vega II 32 GB Grafikkarte, 4 TB SSD Raid für eure Daten, mehrere USB-C und USB-3 Steckplätze, macOS Monterey 12.2.

Displays: 1x Eizo CG248-4K (24’‘, 3840 × 2160, kalibriert), 1x Eizo EV2450 (24’‘, 1920 × 1080)

Programme u.a.: Adobe Creative Cloud 2022 (u.a. Premiere, After Effects, Media Encoder, Audition, Acrobat Pro DC, Illustrator, InDesign, Lightroom, Photoshop), Final Cut Pro X 10.4.8, Compressor, DaVinci Resolve Studio 16.0, Toast Titanium 18.3.1 (inkl. Blu-ray Plug-in)

Der Computer kann stundenweise reserviert werden.

CHF 4.00/Stunde
CHF 15.00 für Rendern über Nacht

GRAFIKSTATION

APPLE iMac 27”, 3,5 GHZ Intel Core i7, 8GB RAM, NVIDIA GeForce GTX 775M 2048 MB, macOS Monterey 12.2.

Programme u.a.: Adobe Creative Cloud 2022 (u.a. Acrobat DC, Audition, Adobe Bridge, Illustrator, InDesign, Lightroom, Media Encoder, Photoshop, Premiere), iMovie, Silverfast 8, Microsoft Office 2011 (Microsoft Excel, Microsoft PowerPoint, Microsoft Word), Toast Titanium 11

CHF 4.00/Stunde

Scan Mac

WEB-/PRINTSTATION

iMac (Retina 4K, 21.5-inch, 2017), 3.6 GHz Intel Core i7, 32 GB 2400 MHz DDR4, Radeon Pro 560 4 GB, macOS Monterey 12.2.

Programme u.a.:
Adobe Creative Cloud 2022 (u.a. Acrobat DC, Audition, Illustrator, InDesign, Lightroom, Media Encoder, Photoshop, Premiere), Final Cut Pro 10.4.1, iMovie 10.1.9, LibreOffice 5.4.4002, Microsoft Office 2011 (Microsoft Excel 14.7.7, Microsoft PowerPoint, 14.7.7, Microsoft Word 14.7.7), Toast Titanium 11.0.1

CHF 4.00/Stunde

Print Mac

Yasser Booley: Yasser Booleymehrplus

Yasser Booley (1975*) has been photographing his surroundings since 1992, when he received his first camera from his father as a gift. His approach and style developed and evolved on the streets of Cape Town, an ofttimes violent city, made all the more violent in contrast to the incredible natural beauty, and beauty of the people who live there. He cut his teeth working as a stringer for local national newspapers and as producer, fixer on documentaries and short films.

The first time he studied photography came 3 years after he started working for one of the major national newspapers in South Africa, where he studied documentary photography in Berlin.
He has exhibited his work in Spain, Britain, Iceland, South Africa, America, Australia, Belgium and Holland, the last two as a result of his monograph ‘South Africa at Liberty’ being launched in Brussels in 2016. Most of his exhibitions have taken place outside the conventional “art world” in order to make his photography accessible to the ‘man on the street’ as he believes the power of art across the barriers of language, race and culture is its ability to inspire, remind and inform and that this cannot be limited only to people who visit galleries.

He is very interested in putting photography in unconventional public spaces and seeing how people engage with the work.
https://www.instagram.com/p/BiCoiY5l522/

The visual language whether we realise it or not has become ubiquitous in modern society and plays a very important role in shaping the way we see the world and more importantly ourselves and this is the space he prefers to ‘play’ in, using photography as a pedagogic method to open the possibility of being able to choose how we ‘see’.
https://www.instagram.com/yasserbooley/

Yasser Booley (1975*) has been photographing his surroundings since 1992, when he received his first camera from his father as a gift. His approach and style developed and evolved on the streets of Cape Town, an ofttimes violent city, made all the more violent in contrast to the incredible natural beauty, and beauty of the people who live there. He cut his teeth working as a stringer for local national newspapers and as producer, fixer on documentaries and short films.

The first time he studied photography came 3 years after he started working for one of the major national newspapers in South Africa, where he studied documentary photography in Berlin.
He has exhibited his work in Spain, Britain, Iceland, South Africa, America, Australia, Belgium and Holland, the last two as a result of his monograph ‘South Africa at Liberty’ being launched in Brussels in 2016. Most of his exhibitions have taken place outside the conventional “art world” in order to make his photography accessible to the ‘man on the street’ as he believes the power of art across the barriers of language, race and culture is its ability to inspire, remind and inform and that this cannot be limited only to people who visit galleries.

He is very interested in putting photography in unconventional public spaces and seeing how people engage with the work.
https://www.instagram.com/p/BiCoiY5l522/

The visual language whether we realise it or not has become ubiquitous in modern society and plays a very important role in shaping the way we see the world and more importantly ourselves and this is the space he prefers to ‘play’ in, using photography as a pedagogic method to open the possibility of being able to choose how we ‘see’.
https://www.instagram.com/yasserbooley/

yasserbooley.wordpress.com