Musik

2 Musikanlagen L-Acoustics 108P (je zwei Boxen)

Zwei 500W Aktivboxen für Live-Anwendung, LF 8” + HF 1,5”, inklusive Stative, Flightcase, 2× 10m XLR-Kabel, 2x Powercon-Stromkabel, 2x Neutrik Übergang XLR Male – Klinke

Können auch als Monitore benutzt werden.

30.00/Tag

Herstellerlink

2 Musikanlagen L-Acoustics 108P (je zwei Boxen)

Belegungsplan

Subwoofer L-Acoustics

Subwoofer L-Acoustics SB 15P (1 Stück)

Aktiver Subwoofer, passend zu unseren L-Acoustics 108P.

1000 Watt – Gewicht 33 Kg, mit Case ca. 60 Kg

inklusive Flightcase mit bremsbaren Rollen, 3m XLR-Kabel, 1x Powercon-Stromkabel

20.00/Tag

Herstellerlink

Subwoofer L-Acoustics

Belegungsplan

Mischpult Soundcraft Signature 16

Das Signature 16 ist ein analoges 16-Kanal-Mischpult (12xXLR mit Pre-Amp) mit onboard Effekten. Es ist mit hochwertigen Mikrofon-Vorverstärkern, Instrumenteneingängen, 4-Band Equalizer (2x mit durchstimmbaren Mitten), Lexicon Studio-Effekten und einem kleinen USB-Interface (2in/2out) ausgestattet. Es verfügt ausserdem über 4 Aux-Wege (einer davon optional als Effekt-Weg) und 2 Stereo Sub-Gruppen.

Mischpult Soundcraft Signature 16

Belegungsplan

Mischpult YAMAHA MG12XU

6x Mic/2x Stereo-Kanäle, integrierter Effektprozessor, Multiband-Kompressor pro Mikrofonkanal

10.00/Tag

Mischpult YAMAHA MG12XU

Belegungsplan

DJ-Mixer Pioneer

Der Pioneer DJM-900NXS2 ist ein professioneller 4-Kanal DJ-Mixer mit 64-Bit-Prozessor.

20.00/Tag

DJ-Mixer Pioneer

Belegungsplan

CDJ 900 NXS (2 Stück)

Zusätzlich zum CD-Laufwerk kann man mit dem CDJ-900NXS Tracks über USB oder drahtlos über Wi-Fi vom Computer, Tablet oder Smartphone laden.

- Hochauflösendes LCD-Farbdisplay mit verbessertem Trackbrowsing und Track-Information. – Kompatibel mit der Musikdatenbank-Management-Software rekordbox – Die mitgelieferte rekordbox-Software und die kostenlose rekordbox-App unterstützen die Wi-Fi-Wiedergabe von Mac- und PC-Computern sowie von iPhones, iPod touch, iPads und Android-basierten mobilen Geräten – Wiedergabe auch von USB-Speichermedien wie Flash-Speicher und Festplatten, SD-Speicherkarten, Audio-CDs und DVDs. – Unterstützt MP3, AAC, WAV und AIFF Dateiformate – Die Pro DJ Link-Funktion ermöglicht es bis zu 4 Geräte über LAN-Kabel miteinander zu verbinden, so dass sich erweiterte DJ-Setups erstellen lassen können – Quantisierung lässt alle Cues und Loops exakt im Beat Grid von rekordbox “einrasten”: so lassen sich Hot Cues und Hot Loops mit perfektem Timing abspielen – Active Loops: mit rekordbox lassen sich automatische Loops definieren und setzen – Slip-Modus für perfekte Scratch Performances – Der Wolfson DAC-Prozessor sorgt für exzellente Klangqualität mit vergrößertem Headroom und außergewöhnlich niedrigem Rauschen

Technische Daten

- Unterstützte Formate: MP3, AAC, WAV, AIFF – Soundkarte: 24-Bit/48 kHz – Frequenzgang: 4 Hz – 20 kHz – Signal/Rauschabstand: 115 dB oder mehr – Klirrfaktor: 0,003 % – Gewicht: 4,3 kg – Abmessungen (L x B x H): 320 × 401 × 105 mm

Preis: 13.00/ Tag pro Stück/CDJ

CDJ 900 NXS (2 Stück)

Belegungsplan

ADAM A3X Nearfield Studio Monitore

Aktive Nearfield Studiomonitore, 106 dB Peak SPL, Frequenzgang 60 Hz – 50 kHz, 2× 25 W (Hoch-/Tieftöner), Stereolink

inkl. 2x Stromkabel, 1x Stereo Cinch – Mini Jack (3.5mm) Kabel, 1x Stereolink Cinch Kabel

10.00/Tag

ADAM A3X Nearfield Studio Monitore

Belegungsplan

Kopfhörer Sennheiser

Der HD 25-1 II ist ein dynamischer HiFi-Stereo-Kopfhörer in geschlossener Bauform, d.h. Umgebungsgeräusche werden besser abgeschirmt als bei der offenen Bauweise. Daher eignet sich dieser robuste Kopfhörer besonders zum Abhören von Musik und Sprache in lärmbelasteter Umgebung, z. B. zum Monitoring von PA-Anlagen, für den Einsatz in der Außenübertragung oder zum Studio-Monitoring.

5.00/Tag

Kopfhörer Sennheiser

Belegungsplan

Yasser Booley: Yasser Booleymehrplus

Yasser Booley (1975*) has been photographing his surroundings since 1992, when he received his first camera from his father as a gift. His approach and style developed and evolved on the streets of Cape Town, an ofttimes violent city, made all the more violent in contrast to the incredible natural beauty, and beauty of the people who live there. He cut his teeth working as a stringer for local national newspapers and as producer, fixer on documentaries and short films.

The first time he studied photography came 3 years after he started working for one of the major national newspapers in South Africa, where he studied documentary photography in Berlin.
He has exhibited his work in Spain, Britain, Iceland, South Africa, America, Australia, Belgium and Holland, the last two as a result of his monograph ‘South Africa at Liberty’ being launched in Brussels in 2016. Most of his exhibitions have taken place outside the conventional “art world” in order to make his photography accessible to the ‘man on the street’ as he believes the power of art across the barriers of language, race and culture is its ability to inspire, remind and inform and that this cannot be limited only to people who visit galleries.

He is very interested in putting photography in unconventional public spaces and seeing how people engage with the work.
https://www.instagram.com/p/BiCoiY5l522/

The visual language whether we realise it or not has become ubiquitous in modern society and plays a very important role in shaping the way we see the world and more importantly ourselves and this is the space he prefers to ‘play’ in, using photography as a pedagogic method to open the possibility of being able to choose how we ‘see’.
https://www.instagram.com/yasserbooley/

Yasser Booley (1975*) has been photographing his surroundings since 1992, when he received his first camera from his father as a gift. His approach and style developed and evolved on the streets of Cape Town, an ofttimes violent city, made all the more violent in contrast to the incredible natural beauty, and beauty of the people who live there. He cut his teeth working as a stringer for local national newspapers and as producer, fixer on documentaries and short films.

The first time he studied photography came 3 years after he started working for one of the major national newspapers in South Africa, where he studied documentary photography in Berlin.
He has exhibited his work in Spain, Britain, Iceland, South Africa, America, Australia, Belgium and Holland, the last two as a result of his monograph ‘South Africa at Liberty’ being launched in Brussels in 2016. Most of his exhibitions have taken place outside the conventional “art world” in order to make his photography accessible to the ‘man on the street’ as he believes the power of art across the barriers of language, race and culture is its ability to inspire, remind and inform and that this cannot be limited only to people who visit galleries.

He is very interested in putting photography in unconventional public spaces and seeing how people engage with the work.
https://www.instagram.com/p/BiCoiY5l522/

The visual language whether we realise it or not has become ubiquitous in modern society and plays a very important role in shaping the way we see the world and more importantly ourselves and this is the space he prefers to ‘play’ in, using photography as a pedagogic method to open the possibility of being able to choose how we ‘see’.
https://www.instagram.com/yasserbooley/

yasserbooley.wordpress.com