Kopierer und Drucker

INKJET DRUCKER (EPSON 4900)

Formate: A4 – max. A2 (Rollenbreite: 43.8cm)
Verschiedene Fotopapiere bei uns erhältlich.

Preise für Druck, exkl. Papier:
Ab Rolle CHF 0.25/cm
A4 CHF 2.50
A3 CHF 5.00
A3+ CHF 6.00
A2 CHF 10.00

INKJET DRUCKER (EPSON 4900)

"MARY" FARB-LASERDRUCKER (CANON imagePRESS C650)

Bis Format DIN A3, min. 50g/m2 bis max. 300g/m2.

- Farbechte Drucke von Plaketen, Flyern und Bildern (Farbbestimmung gemäss Pantone Fächer möglich).

- Druck von Siebdruckfolien (A4 und A3).

- Long Sheet Print: Druck von Überformat 330mm x 762mm (für Panoramafotografien, Leporellos, etc.).

Preise pro Kopie:
farbig A4 CHF 0.80 / A3 CHF 1.00
s/w A4 CHF 0.10 / A3 CHF 0.20
Überformatdruck (XX x YY) CHF 2.00

Wir bieten folgende Papiere an (A4 & A3):

  • gestrichene Papiere weiss: 70g/m2, 90g/m2, 160g/m2, 250g/m2, 300g/m2
  • ungestrichene Papiere weiss: 70g/m2, 170g/m2, 250g/m2, 300g/m2
  • glossy Papier weiss: 200g/m2, 250g/m2
  • Folie transparent

"JOHN" FARB-LASERDRUCKER (CANON ImageRUNNER C5535)

Bis Format DIN A3, min. 60g/m2 bis max. 270g/m2.

- Mit Vorlageneinzug zum Kopieren von Manuskripten, Drehbüchern, etc.

- Klammer und Buchhefrung möglich (für Magazine, Fanzines, Booklets, etc.)

Preise pro Kopie:
farbig A4 CHF 0.80 / A3 CHF 1.00
s/w A4 CHF 0.10 / A3 CHF 0.20

Wir bieten folgende Papiere an (A4 & A3):

  • gestrichene Papiere weiss: 70g/m2, 90g/m2, 160g/m2, 250g/m2, 300g/m2
  • ungestrichene Papiere weiss: 70g/m2, 170g/m2, 250g/m2, 300g/m2
  • glossy Papier weiss: 200g/m2, 250g/m2
  • Folie transparent

SCHNEIDPLOTTER MIMAKI 60SR III

Logos oder Schriften herstellen für Eure Ladenschaufenster, Lastenvelos oder als Labels für Eure Transportkisten.

Wir verarbeiten nur Daten die als Vektor-Datei (Adobe Illustrator) geliefert werden.

Maximale Schneidbreite: 600 mm
Klebefolie: Schwarz, Weiss, Gelb, Rot, Blau
Flockfolie zum aufbügeln: Schwarz, Weiss, Gelb

Preise: Schneideplotten: A4: 6.50, A3: 10.00, Ab Rolle: 0.50/cm (inkl. Klebefolie), Applizierfolie: 0.20/cm

SCHNEIDPLOTTER MIMAKI 60SR III

DVD/CD KOPIERER PRIMERA PLEXTOR

CD-R bis 48x, DVD-R bis 16x, Dual Layer bis 6x
Zum Erstellen von max. 11 Kopien pro Durchgang ab Master-DVD/CD

Preise: CHF 1.00/Kopie, ab 10 Kopien CHF 0.50/Kopie

DVD/CD KOPIERER PRIMERA PLEXTOR

PLOTTER CANON TX3000

Medienformat: Rolle: Breite: 91.4cm Länge: bis zu 20 m
Seitenränder: 5 mm, oberer und unterer Rand: 17 mm

Druckbereich: Max. Breite: 90.4cm, Länge: bis 20m
A0: 84.1mm x 118.9mm / A1: 59.4cm x 84.1 cm / A2: 42.0cm x 59.4cm

Preise:
CHF 25.00/Meter (90g/m²)
CHF 28.00/Meter (180g/m²)
CHF 30.00/Meter (190g/m² glossy)

PLOTTER CANON TX3000

DVD/CD DISC ROBOTER (EPSON PP 100AP)

Zum Bedrucken von CDs und DVDs, max. 25 Stück auf einmal, CMYK-Patronen, max. 2400 dpi

Preise: CHF 1.00/vollflächig, CHF 0.50/Text

DVD/CD DISC ROBOTER (EPSON PP 100AP)

Risograph GR2710

Preise (exkl. Papier)
Masterfolie: 
CHF –.50/Stk.
Ausdruck: CHF –.20/Stk.

Bis Format A3, Druckbereich jedoch nur A4

Um den Riso benutzen zu können ist eine kurze Einführung notwendig.
Bitte telefonisch anmelden.

FARBEN
Teal

Federal Blue

Burgundy

Metallic Gold

fluorescent Pink

fluorescent Yellow

Mint

Spannende Informationen über die Risographie:
https://de.exploriso.info/exploriso/
https://www.stencil.wiki/
https://colorlibrary.ch/

Handbuch

Risograph GR2710

Yasser Booley: Yasser Booleymehrplus

Yasser Booley (1975*) has been photographing his surroundings since 1992, when he received his first camera from his father as a gift. His approach and style developed and evolved on the streets of Cape Town, an ofttimes violent city, made all the more violent in contrast to the incredible natural beauty, and beauty of the people who live there. He cut his teeth working as a stringer for local national newspapers and as producer, fixer on documentaries and short films.

The first time he studied photography came 3 years after he started working for one of the major national newspapers in South Africa, where he studied documentary photography in Berlin.
He has exhibited his work in Spain, Britain, Iceland, South Africa, America, Australia, Belgium and Holland, the last two as a result of his monograph ‘South Africa at Liberty’ being launched in Brussels in 2016. Most of his exhibitions have taken place outside the conventional “art world” in order to make his photography accessible to the ‘man on the street’ as he believes the power of art across the barriers of language, race and culture is its ability to inspire, remind and inform and that this cannot be limited only to people who visit galleries.

He is very interested in putting photography in unconventional public spaces and seeing how people engage with the work.
https://www.instagram.com/p/BiCoiY5l522/

The visual language whether we realise it or not has become ubiquitous in modern society and plays a very important role in shaping the way we see the world and more importantly ourselves and this is the space he prefers to ‘play’ in, using photography as a pedagogic method to open the possibility of being able to choose how we ‘see’.
https://www.instagram.com/yasserbooley/

Yasser Booley (1975*) has been photographing his surroundings since 1992, when he received his first camera from his father as a gift. His approach and style developed and evolved on the streets of Cape Town, an ofttimes violent city, made all the more violent in contrast to the incredible natural beauty, and beauty of the people who live there. He cut his teeth working as a stringer for local national newspapers and as producer, fixer on documentaries and short films.

The first time he studied photography came 3 years after he started working for one of the major national newspapers in South Africa, where he studied documentary photography in Berlin.
He has exhibited his work in Spain, Britain, Iceland, South Africa, America, Australia, Belgium and Holland, the last two as a result of his monograph ‘South Africa at Liberty’ being launched in Brussels in 2016. Most of his exhibitions have taken place outside the conventional “art world” in order to make his photography accessible to the ‘man on the street’ as he believes the power of art across the barriers of language, race and culture is its ability to inspire, remind and inform and that this cannot be limited only to people who visit galleries.

He is very interested in putting photography in unconventional public spaces and seeing how people engage with the work.
https://www.instagram.com/p/BiCoiY5l522/

The visual language whether we realise it or not has become ubiquitous in modern society and plays a very important role in shaping the way we see the world and more importantly ourselves and this is the space he prefers to ‘play’ in, using photography as a pedagogic method to open the possibility of being able to choose how we ‘see’.
https://www.instagram.com/yasserbooley/

yasserbooley.wordpress.com