Risografie

Risograf SF9350 EII


Risograf SF9350 EII mit Trockengestell

Die Risografie ist ein in Rotation gebrachtes Schablonendruckverfahren und kann als eine Mischung aus Siebdruck und Kopie bezeichnet werden. Von einer Vorlage (digital oder Kopiervorlage) wird eine Masterfolie erstellt, die auf eine rotierende Trommel gespannt wird. Die Masterfolie wird an den Stellen, an denen sie Farbe passieren lassen soll, thermisch durchlöchert. Das zu bedruckende Papier passiert die rotierende Trommel, von der aus die Druckfarbe durch ein Sieb und die Matrize auf das Papier gebracht wird. Das Verfahren gehört zu den Siebdruckverfahren und wurde 1986 von der japanischen Firma Riso Kagaku entwickelt. Risographie zeichnet sich dadurch aus, dass die Farbe ohne Anwendung von Chemikalien und Hitze aufs Papier gebracht wird. Der ökologische Vorteil wird von günstigen Verbrauchskosten begleitet.

Risoeinführung
Der Risograf darf nur benutzt werden, wenn zuvor ein Einführungskurs besucht wurde. Der Kurs ist gratis und dauert eine Stunde. Für Personen, die bereits über Risoerfahrung verfügen, bieten wir eine verkürzte Version an. Termine bitte telefonisch oder persönlich im Laden abmachen.

Preise
CHF 00.10/Ausdruck (pro Farbe, A3)
CHF 00.50/Masterherstellung
CHF 00.10/Papier Daunendruck A3 90g/m2
CHF 00.30/Papier Daunendruck A3 190g/m2

Farben

Zur Zeit stehen folgende Farben zur Verfügung:

Und hier noch der Link zu unserer lieblings Riso-Website:
https://de.exploriso.info/exploriso/
Für Farbseparationen:
https://colorlibrary.ch/
Bisher im KB-Bern vorhandene Colorlibrary-Profile:

Yasser Booley: Yasser Booleymehrplus

Yasser Booley (1975*) has been photographing his surroundings since 1992, when he received his first camera from his father as a gift. His approach and style developed and evolved on the streets of Cape Town, an ofttimes violent city, made all the more violent in contrast to the incredible natural beauty, and beauty of the people who live there. He cut his teeth working as a stringer for local national newspapers and as producer, fixer on documentaries and short films.

The first time he studied photography came 3 years after he started working for one of the major national newspapers in South Africa, where he studied documentary photography in Berlin.
He has exhibited his work in Spain, Britain, Iceland, South Africa, America, Australia, Belgium and Holland, the last two as a result of his monograph ‘South Africa at Liberty’ being launched in Brussels in 2016. Most of his exhibitions have taken place outside the conventional “art world” in order to make his photography accessible to the ‘man on the street’ as he believes the power of art across the barriers of language, race and culture is its ability to inspire, remind and inform and that this cannot be limited only to people who visit galleries.

He is very interested in putting photography in unconventional public spaces and seeing how people engage with the work.
https://www.instagram.com/p/BiCoiY5l522/

The visual language whether we realise it or not has become ubiquitous in modern society and plays a very important role in shaping the way we see the world and more importantly ourselves and this is the space he prefers to ‘play’ in, using photography as a pedagogic method to open the possibility of being able to choose how we ‘see’.
https://www.instagram.com/yasserbooley/

Yasser Booley (1975*) has been photographing his surroundings since 1992, when he received his first camera from his father as a gift. His approach and style developed and evolved on the streets of Cape Town, an ofttimes violent city, made all the more violent in contrast to the incredible natural beauty, and beauty of the people who live there. He cut his teeth working as a stringer for local national newspapers and as producer, fixer on documentaries and short films.

The first time he studied photography came 3 years after he started working for one of the major national newspapers in South Africa, where he studied documentary photography in Berlin.
He has exhibited his work in Spain, Britain, Iceland, South Africa, America, Australia, Belgium and Holland, the last two as a result of his monograph ‘South Africa at Liberty’ being launched in Brussels in 2016. Most of his exhibitions have taken place outside the conventional “art world” in order to make his photography accessible to the ‘man on the street’ as he believes the power of art across the barriers of language, race and culture is its ability to inspire, remind and inform and that this cannot be limited only to people who visit galleries.

He is very interested in putting photography in unconventional public spaces and seeing how people engage with the work.
https://www.instagram.com/p/BiCoiY5l522/

The visual language whether we realise it or not has become ubiquitous in modern society and plays a very important role in shaping the way we see the world and more importantly ourselves and this is the space he prefers to ‘play’ in, using photography as a pedagogic method to open the possibility of being able to choose how we ‘see’.
https://www.instagram.com/yasserbooley/

yasserbooley.wordpress.com